Please note: The above titles in quotes were to be found on Radio
Woodstock's
Woodstock Vibe E-zine, on-line. I've changed a few words, and when
italics appear within parentheses in the following text, the italized sentences
are my post publication interjections. Jesse
By
the time I got to Woodstock, I
was 24, had folk-guitared my way around the USA for about two whole years, after
withdrawing from Seton Hall U in NJ. I had been drafted, inspected, and re-jected
for service as "4f", lived in the "Lower East Side" of Manhattan for a few
winters, and camped in the mountains of Arizona, New Mexico, Colorado, and Santa
Cruz, California. I'd actually been to the Village of Woodstock a few times,
attending a small festival in 67, called the Woodstock Soundout festival.
Sometimes, I held casual employment, sometimes I was a houseguest here and there.
I'd attended the San Jose Folk Rock fest, Memorial Day weekend in 1968. Even had
paid a visit to the "Hog Farm" in NM, in the fall of 68, so I was aware of what
the Hog Farmers were doing at Yasgur's place.
I had
no idea the event would be that huge...(Who did?)I had no tickets,
but something just "told" me to hitch from Colorado in late July, based on
grapevine. Glad I did! In the two years of travel, I'd been in several
near-disaster situations, so when the magnitude of the NEED was presented
so well from the stage the first day, I was more than willing to help, any way I
could...Helped cut carrots (hehehe, eh, wuzzup, duck?) - huge
organic ones - in the free kitchen until I had blisters on both hands. Did
I see much of the music over in the field after the first night? No. I had lost
touch with most of my car-load I'd arrived with by then, so the
free-stage/"bummer"-tent area was much more comfortable for me. (I love what
WAVY
GRAVY said from the
stage at one point - as recorded in the movie - "Word's going around about "bum"
trips...I got good news for you! There are no "bum" trips,
only
HOBO
sojourns..." Indeed!)
NOW, YOU CAN "play" with WAVY
GRAVY
in THE CyberEther!!!
I did
meet a few people I knew from previous times. One, a woman named Joanie
(who did live in Bloomington at the time - she no longer does...I have lived
in Indiana's City of Blooms most of these last 3O years), ended up on the
cover of Newsweek Magazine, dancing with none other than FANTUZZI, (who,
by the way of Synchronicity Strokes, showed up here in the Spring of 69,
about a week after I had arrived from Tucson, AZ). Fantuzzi is the young
fellow at the end of the Richie Havens
FREEDOM! Medley sequence in the film. The camera cuts to a close-up of Fantuzzi
right after Havens gets on the elevator at the back of the stage. Louie - his
first name, as he was known that spring in Bloomington - sees the camera, leaps
up, crosses his arms in a double peace gesture with his hands over his head as he
"MUGS" for the "TV audience"...(giggle-guffaw, chortle :-) He and I didn't see
each other at the festival, yet when the film was put together, we were in the
same Havens song! I was about 40-50 yards from the stage during the FREEDOM! song.
I had just stood up to see what faces as far as ya could see looked like...It
hadn't rained yet, so the mood was WAY UP!!!!!!!!!!!!!!!!! Then, I heard Havens
sing,
"Clap your
HANDS!"
I'd been collecting his albums for several years by 69, knew his material well,
and was extremely happy when he was the first performer to grace the
stage. So, I whirled around, and began clapping my hands and encouraging people
around me to join in. In a matter of seconds, everybody stood up!! Little did I
know I was being filmed...Found out when the movie came out the next year, and
people began to stop me on the streets, back here in (what afficionados of
college-town "dinky-towns" call)
Bloomingulch.

As soon as I find out who handled that telephoto
camera, I will give all credit due for some fine
ZOOM work! - Jesse
Thank you Warner Brothers, for distributing the film.
The day the
movie opened in town, I went. Sat near the front. When that scene came
along, people around me made me stand up, and take a bow...thunderous
applause...within a year, I was getting introduced as "the star of Woodstock" by
Asher ben Rubi, the lead singer of a local bar band called Pure Funk. Things did
get kinda crazy for a while after that. When people make the comment, "So you had
your fifteen minutes of fame?" I say it was more like fifteen months...
In
the years that followed, whenever I did see the movie it was in a group
situation, and people would gas on me being right there with them. I never got to
see the whole song in the movie, until I bought the new l994, 25th
anniversary "director's cut" in 1998. Imagine, gentle reader, my
surprise...
Another very weird thing happened when OMEGA MAN, the Ray
Bradbury
dis-topic novel set in the plausibly near future, was made into a movie.
(funny how cities have come to look like they do in the story, and punkish,
new-wavicles dress that way - NOW...) Charleton Heston in the lead role...
At the beginning of the story, the Heston character walks into a post-disaster,
urban location - the town is empty - or, so it seems...He sees a movie theatre
with the Woodstock festival movie featured on the marquee...walks in. Empty, even
though the lights are still on...sees the lights on up in the projection booth,
walks up...Nobody's showing the movie! Ole "Ben Hur" kicks on a projector, and the
film cuts to a segment of the scene with the OH FREEDOM! song - where the camera
scanning the audience has "panned" back, but it's identifiable as the end of that
Clap your Hands sequence I've described. Then, back to Heston in the empty
theatre. Extremely weird!!!!!!!!!!!!!!!!!!!!!!! |