Such a sweet time, Saturday night, October 13...
my host in Atlanta, whom I refer to as Doo-WOP John, has lived
there 20 years, taken me all over the south, and schooled me in the ways
of the Tree of Life...He's seen the
Olympics come and go and prices
go up and up and ??? When, I told him I'd gotten the Louisville booking
and would visit - we put together a small benefit for the Atlanta FOOD
not
Bombs
effort. That story and a few more will appear here very soon!
I got to Atlanta's Greyhound depot early in the morning of the 11th
of October. My plans for the first day were greatly limited by the
fact that the computer controlled lockers in the depot were not
functioning...luckily, I did find a limited number that were, and
stashed my one old-fashioned suitcase...the over the shoulder strap
tote bag had to go with me...my host worked until 6pm, and I'd be
lugging it around all day. So, I went right to the Little Five Points
area on the cross of Moreland Boulevard and Euclid. I've busked
in a little park there a number of times, and knew there would be
coffee houses open at 8am. I spent the morning reading local weekly
newspapers. The intersection of Ponce de Leon Blvd. and Highland
Avenue is near enough to Little Five Points that I could walk there.
I discovered, much to my delight, the the local branch of the Atlanta
Library had increased its Internet access, and so I spent time
emailing friends about the tour up to that point. Finally I walked to
a coffee house near my host's apartment, and settled into reading
actor/sailor/schooner pilot Sterling Hayden's Wanderer, which
was proving to be a wise choice of road read.
My friend walked by, and I grabbed my luggage and headed to his
place. Actually, I had two somewhat grueling days in a row, and was
greatly relieved to be in a welcome space again...We hadn't seen each
other in two years, and there was catching up to do...He'd rented
American Graffiti, which I'd never seen. Funny, it happened in
1962, when I was 17, and camed out in the early seventies, when my
friend was 18...he had lived a youth much closer to that depicted
than I had - I knew no one with a car, my brother had joined the Air
Force by the time I was in high school, and I spent all my time
running track, cross country, and studying for college prep courses.
But, Doo-WOP John knew all the nuances of the character dynamics, and
"walked" me through them. He's done that with "West Side
Story" during a previous visit. I'm grateful to him for this
because Rockaway, NJ in the fifties was not yet absorbed into the
megalopical sprawl of suburban NYC yet....I'm a country boy at
heart!
Getting to Atlanta on Thursday gave me two nights to get
rested up for the Benefit on Saturday. It was to be in a
warehouse district southeast of the center of
Atlanta...this kept the turn-out unfortunately low. The
buses don't run through the area very late on Saturday, and
people had to drive...so, the turn-out was modest, but the
artists who lived there and the other people from the band
playing after me were enthusiastic. I got to work with
people who had a good sound system. Consequently, I could
concentrate on the energy in each song and not fret about
technical stuff. Mostly, I did songs that I wrote and had
performed in Louisville. Here's a partial list:
From Here to
Jubilee! Everywhere You
Are!
Keep It
Steady
Golden Dawn
Yet, the real treat of the night was the final number!
I finally had a golden opportunity to perform an old Cab
Calloway song for an appreciative audience...what makes
Calloway's Reefer Man song special for me is that it
gives the discerning listener a chance to see what cannabis
use was like before the whole Reefer Madness
paranoia set in. I do call it paranoia because I had long
believed the laws governing cannabis use are wrong headed.
The fact that the laws are still on the books, and that
billions of dollars of our tax money is being wasted on
incarcerating people for smoking one joint is political at
this point, involving fear, stereotyping, and a reluctance
to change the status quo. For years, I have been speaking
of Cannabis as if it were a special person...Mugs
Muggles. One day I realized I could relate my own
feelings - which led me to vote YES! on Proposition 215 in
the State of California in 1996 - on Medical Marijuana.
These sentiments have found their home in a bridge I made
up and inserted in Cab's very humorous song:
"Say hello to old Mugs Muggles,
And his magic rug'll waft you on a sailboat
trip across the sky, to that heartful land inside your
head!
But now listen to me babies,
This ain't no case of psychic rabies, leave that ole snow
To George Bush, Dan Quayle, and Capt'n Bligh! You just might wake up
with
with your head...dead!"
(Then back to CAB's original)
"But if He trades you dimes for nickels
And calls watermelons pickles
You know you're talking to that reefer man!
(it turns out this verse doesn't seem to be in the
original, but, what the HEY! It's a good'n', anyway!
While we're on such a touchy subject, here's how Louis
Armstrong felt
about it, courtesy of Country Joe McDonald...and a page full of links to
organized groups seeking sensible "drug"
policy instead of the scapegoating, fear-mongering mish-mash that is currently robbing our
pockets of our hard earned money.
Cab Calloway played the part of the custodial superintendent in the
school in the Blues Brothers movie, and sang his own
legenday Minnie, the Moocher song in the Dream
Concert sequence...decked out in full 3 piece tuxedo with
tails! I have learned to sing WHO-O-O that Reefer
Man?" Like Cab did....shake your head rapidly from side
to side, making a br-r-r-r kind of sound as you say
WHO...you can see down your face past your nose and notice
your pursed, extended lips vibrating as you do! Totally ecstatic
kick!!!
At the same time do a hoochie-coo dance and wave you hands
on extended arms fluttering your open hands rapidly as you
do.
How did my audience respond? Why, before I knew it, two of
the women who sing with the band came up to the stage,
grabbed an open mike and began to wail along!
Perfec-ti-men-tis-simo!!! Then, the bass
player and the drummer for the band sat in and began to put
a rhythm groove under it! The four of them were
spontaneously doing what I'd always hoped to have happen
with my rendition of Reefer Man!!!
I figured this was a segué to end all
segués... Doo-WOP John was besides himself
with glee...He said, "I confess I didn't think you had it in
ya...but you pulled it off...bravo!!!"
I actually had a hard time convincing him I had not somehow
willed it to happen...such is the nature of the GROOVE
that groove-y people know what to do, and they don't need no rehearsing -
it's called play it as lays! Sometimes it may be ragged,
but it's RIGHT! Yessiree!! Thazztha ticket!!!
Sunday afternoon, October 14th, Doo-WOP John treated me to a healthy walk
through Northeast Atlanta neighborhoods to the Candler Park area. In my
travels
about this country, I have enjoyed learning the names of the housing
styles which
grew out of development that was quite modern in the twenties...Craftsman
for example...
I saw many houses that reminded me of neighborhoods I'd just left in the
college
towns of Bloomington, IN, and Columbus, OH. Actually, we were headed for
the Fall Festival Candler Park sponsors every year in mid-October.
What I found were bands in a stage tent, balloons galore, food booths, and
a goodly variety of people with crafts booths...even massage tents!
Excellent! John re-introduced me to a fellow he'd given my tape of From
Here to JUBILEE several years ago. So nice to get back with someone
who appreciates your "craft and sullen art" - to quote a
Dylan Thomas poem. What a great way to end my Atlanta visit!
A pretty site awaited me in South Carolina, while I waited for my
connection to Conway. Dawn broke an the thinnest sliver a the waning moon
was closely accompanying the morning star, just before sunrise. So, by the
time I would leave Conway towards Washington DC, Bloomington, IN, and the
West Coast, I'd be travelling under a waxing moon. Very Nice!!
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